Airplay and fans for a certain band

Since August 2016 the Pretty Voices have been available on Jango to listen to. It’s already a subject that’s been touched on around here but what I’m going for now is to note something about the site that better reflects listening habits: Popularity.

There have been 17 total tracks made available from two albums; the pretty voices ep and Jangular. The latter album was released in May of 2016 while the former was released in December 2010. The band has really been pushing Jangular pretty consistently and my inclusion of their debut EP album wasn’t requested but I did feel like the rock fans wouldn’t mind hearing the whole enchilada and not just the most recent album.

I can’t say airplay has been consistent on my part. Two tracks have over 600 airings (Radishes and Control) while there’s one track that has only gotten 10 airings (Nancy Boy). Popularity does have a bit of influence over airings though; Radishes has 12 “fans” while the song that leads Pretty Voices on the network is El Camino with 14 fans (fans or the more common Facebook “Likes”).

I could keep sharing information here but let’s just go to the data and work from there. Note, this is listed by popularity order (most popular).

Song Name Album Plays Fans  
El Camino Jangular 577 14
Radishes Jangular 613 12
Grease Fire the pretty voices ep 443 10
Haircut Jangular 581 10
Crackle Pop Jangular 574 8
Control Jangular 662 8
House Party Jangular 371 7
Britney Jangular 572 6
Senius Genius Jangular 513 5
Hush Yer Mouth the pretty voices ep 220 3
First Rate the pretty voices ep 110 2
Uphill Tack Jangular 147 2
Pin Prick the pretty voices ep 100 2
Lost Weekend the pretty voices ep 120 1
I Found the Essence Rare Jangular 124 0
Mean Song Jangular 140 0
Nancy Boy the pretty voices ep 10 0


With the exception of Grease Fire, the pretty voices ep’s tracks haven’t had its content played much. Pin Prick has only gotten 100 plays (despite earning fans), so keep that in mind with the lack of plays for Nancy Boy.

All of this is more airplay than what happens with people surfing around YouTube. While I recently added the pretty voices ep tracks to YouTube, the tracks from Jsngular have been out there for a while with scant use.  Does that hinder the songs? No, it just shows that people have different habits with listening than using YouTube.

Nancy Boy will get more airings, as will other tracks in time…  but for the meantime, El Camino is ruler (online) of the band.

The missing hit: “You’re Going to Lose That Girl”

My first exposure to the Beatles, the most influential pop/rock group of the 20th century, came by way of a VHS tape. As a younger child before that, I’d probably already heard the group countless times on the radio; my father listened to oldies all the time on 101 WCBS FM in New York and I was exposed to a plethora of oldies through the first 6 years of my life while being driven around in the car. Dad also had a knack participating in call-in contests on WCBS and winning himself DJ autographs and other things from the station.

I don’t remember details of when and how, but I do recall my father sitting me and my brothers down to watch a VHS tape that he won from the radio. I also remember the fact it started with a black-and-white trailer for another movie and how it turned me off at the time… I mean, I was a kid! We had cable TV! I don’t remember what I wanted instead but I do think it was just expectations and that trailer didn’t catch my interest. That music-driven, black-and-white trailer was “A Hard Day’s Night”, the Beatles previous film.

Then the main picture started and my attention and interest was drawn in. I won’t go through the lead-in scene to Help! But between me and my two brothers who were watching, we got locked in with curiosity….and became enthused with the musical performances within the movie.

I could talk about Help! in-depth here as a film, but my focus isn’t on the entirety of the flick but a 2:23 performance that is, in my humble opinion, the greatest song not released as a single by the Fab Four in the group’s history (as an active band and after the breakup): “You’re Going to Lose That Girl.”

My brothers and I would rewind the movie and watch the performance of the band over and over again. John Lennon was on lead vocals, Paul McCartney and George Harrison backed him vocally in a harmonious fashion, repeating him and singing with him. Heck, the performance in the film itself was the band recording the song with the scene framing in-studio mystique (and before you ask: No, this was not filmed at Abbey Road).

I’d simply post the movie clip here but the powers-that-be (be it film industry or Apple Corps LTD) has removed the video from YouTube. In protecting copyrights and ownership, irrelevance is hoisted. It’s an ironic truth. Of course, if you know of the song and like the song, then that statement is not an attempted dressing-down of its value as-so-much an admission of where it has gone by being profit driven and thus hidden from the masses.

I don’t know how long covers of the song are going to be allowed to exist on YouTube (blame that on the powers-that-be if it isn’t long) but I post one of the covers of the song below. The biggest audio-difference between this and the original version is the depth of the sound and its richness.

Contention, mediocrity, and the future of Tampa Bay sports

The storied franchise of each city in the United States is different.  There’s a chance they are all on part, but that’s basically a decree toward the mega-markets – the New York Yankees, Giants, Rangers, Mets, Jets; The Chicago Bears, Bulls, Blackhawks, White Sox and Cubs (congratulations, Cubbies, on your World Series championship); the Los Angeles Dodgers, Lakers, Kings, they-have-an-NFL-team-again-in-the Rams. That’s talking market size and not what I’m touching on here.  The storied franchise of Tampa Bay is the Buccaneers of the NFL, that one ruling force of the region for its longevity and its beholden nature to the sport worshipped by the region.

Yeah, yeah, Florida loves itself some football.  If it’s not the Bucs then the sport is dominated by college antics, high school efforts, or even the twisted spring and summer interests of Arena Football (that’s not trying to put it down or undermine it as so much admit the fact the league was adopted because of the fallacies of the Bucs).

The thing is there’s a very big breaking point in Tampa Bay sports history on the cusp of coming into existence. It’s already happened, really, but this enigma becomes a fact within the next 5 months. How many NFL fans would expect their NHL teams to be more apt than their NFL clubs are? How many NHL towns can boast that their hockey team is just as often a playoff contender than their NFL team?

Indeed, the Tampa Bay Lightning professional hockey club is close to matching the number of playoff berths the Buccaneers have accomplished in their 40 years of existence. The Lightning can already crow about going to the cusp/brink of a championship more often than the Bucs – the Bucs made the NFC title game three times and advanced to the Super Bowl all of once; the Bolts have been in the Eastern Conference finals four times, playing for the Stanley Cup twice, winning once.

The Bucs made the playoffs all of 10 times in their 40 year history, accomplishing it for the first time ever in 1979, and then crossing into the playoffs twice in the early 1980s (1981, 1982) before failing for 15 years.  Tony Dungy resurrected the Bucs competitiveness in the mid-1990s and got them back into the playoffs in 1997, 1999, 2000 and 2001… He was then replaced by Jon Gruden as head coach who grabbed a Super Bowl title in 2003 (his winning season as coach was 2002) before things started growing awkward. The Bucs made it to the playoffs all of two times after the championship (2005, 2007).

For the Lightning, the franchise has existed for 24 full years (but, with thanks to work stoppages, seasons have been abbreviated twice and stopped all together once in that span). They cracked the playoffs for the first time ever in 1996 and didn’t make it again until the 21st century (2003). They won Lord Stanley’s Cup the very next year (2004) and have made the playoffs most of the years following (2006, 2007, 2011, 2014, 2015, 2016).

I could elaborate on stats a bit, or about schedule shenanigans brought on by Players Association / league conflicts in both the NFL and NHL, but the technical stuff doesn’t matter. What does matter is that the Lightning has made the playoffs nine times in their history while the Buccaneers have made it 10 times.  The NFL season is more brief compared to the NHL, the NFL makeup has been thicker over the years (number of franchises) than the NHL (though the NHL has grown in size; they’ll be at 31 teams next season, just shy of the NFLs 32 teams).

The Bolts are likely to compete in their 10th NHL playoff appearance in team history (subject to change under certain circumstances) while the Buccaneers…? The Bucs are at this position internally and competitively where things don’t matter besides what the market and the league provides for them. That’s not a knock on the market as-so-much a knock on the Glazer brothers who have kept a status-quo of the franchise that mimics Hugh Culverhouse; business first and competitive futility second.  The major difference between Culverhouse and the Glazers is that Culverhouse was not a silent individual whereas the Glazers are mutes in control of the sport the market is in love with. If they want more at a cost to the market, they’ll get more upon demand. If the market expects from them, keep dreaming. That’s all we’re allowed to do.

It’s part of why Jeffrey Vinik, who took over the Lightning in late winter 2010, is such a champion of an owner. Vinik has his hockey team competing at the pro sports level but he is also accomplishing in-market with what he seeks and accomplishes downtown… That’s a far, far cry from the Glazers (who have own the Bucs a much longer time than Vinik and the Lightning).

The Lightning tying and potentially topping the Bucs in playoff achievements is long overdue. Some football fans might see that as a moot decree – the NFL is much more competitive and influential than the NHL – but to strive to achieve is a grandeur accomplishment than accepting mediocrity.

Where on Reddit to promote your hockey writing

As one of the longest tenured bloggers tied to the sport of hockey (well, at least up until a few days ago when I stopped for the most part), I’d like to take a moment to try to make mention of a category on Reddit where you can have feature content from your blog posted.

If you’re a fan of the NHL or the sport of ice hockey in general, you’re going to go with the no-brainer of /r/hockey, which is the top spot for hockey coverage on Reddit…. and it gets bogged down with at-the-moment coverage, chatter, videos, etc.

Promoting feature writing, though? There’s a subreddit aimed specifically for doing that (though few people are posting within the group) called /r/hockeywriters.  Yeah, the name makes you think that this is specifically for The Hockey Writers authors, but it’s not specifically for them (unless I missed a memo).  It’s to help promote content from hockey bloggers who do feature write-ups on just about any network.

If you’re looking just for feedbavck (and that’s the last post done on the group), it’s probably wiser to post the request on a different group.  If you’re looking to promote a specific write-up you’ve done? Or promote a featured article written that you enjoy (not news — feature article) that sellsyou on the author of the piece, then /r/hockeywriters may be the place to go.

Downside: Less than 100 subscribers at this point. That can be remedied, can’t it?

Mediocre instrumental marked as top rock…. again

I’m not against art as music or as pop music for that matter… The Beatles give society enough reason for that.  I’m not against fans voting for songs online either.

That being said, another installment of avantgardeaclue has christened a mediocre instrumental as the top Rock song on Jango / Radio Airplay.  Solar Wind by Michael Wark is art, at best.  Sadly, it’s proof of corruption on the system at its boldest. This ain’t Rock.  It isn’t nearly so.


Relevant Reddit for Tampa Bay and mixed relevance in subscriber counts

Perhaps this reflects the small population of the town/city, but Oldsmar is represented on Reddit with its own subreddit…

…with only 4 subscribers and 2 posts all-time.

It’s a messed-up aspect of geographical life on Reddit. Tampa, St. Petersburg and Clearwater all have their own sub-groups on the site, as does the more general, region-representing Tampa Bay…which has a fraction of the subscribers compared to the above listed burgs. Palm Harbor is represented on there and hasn’t had a new post in 4 months. It does have 5 times the subscribers as Oldsmar though, so that’s saying something….


My dance with music and marketing

It really shouldn’t be that tough promoting a band on Twitter, should it? I’m talking Rock’n’Roll here (or just plain Rock as it’s referenced now) and a quartet in the genre since 2009….But who’s only had a full album since May of 2016 and who’ve only had a Twitter account since June.

It’s a project, that’s for sure, but I’m helping the Pretty Voices as best I can. On their Twitter account at the moment, they currently have 17 followers.  That’s a wee bit better than the 14 they had as a lasting number until a few days ago. I’ve already added plenty of new accounts to its follows list (avenues to help promote the group) but it’s a project, that’s for sure. Thus is the life of a band – trying to gain exposure. It takes some experience with the tool and in marketing. Something my time in the Boltosphere has brought me.

By the way, the group has 378 “likes” on Facebook.  That’s only a fraction of people who have experienced them and liked them on the radio, on the Internet, and in reality. If you’ve heard them, if you’ve enjoyed them, see what they have to offer here on Facebook.

Warping of top indie music voting (again)

Once again, via Jango and Radio Airplay, artist Michael Wark came out on top of a weekly ranking. This following instrumental named “Nikola Tesla” came out on Week 40 as the top Rock song on the network:

Or would being the top avante gard a clue be more fitting? That song doesn’t fit Rock (aka Rock n’Roll), Alternative, Pop, Folk, Country, or many of the other main genres of Radio Airplay’s weekly top list.  It’s instrumental / artistry. It is not of the Rock genre though.

Worse yet: It was put on YouTube to the public in December 2011; a nearly five year old song is voted to a top 10 list for a week in a field of indie musicians who offer a wide variety of music from much more recent times…

Wark might have fans and friends giving him a bunch of weekly voter support, but it’s also warping the concept that Radio Airplay/Jango put together to have indie submissions ranked weekly. That and this not Rock.

By the way, the top song for the genre of Metal on Radio Airplay/Jango for Week 40 – Final Breath – is a lot more Rock worthy than “Nicola Tesla”. Here’s a link to it on Jango because there is no YouTube video at the moment. Check it out.


The story of two Internet Radio streaming services

Internet radio… I don’t even know if that’s truly the proper title to use for this. It’s audio streaming of music and perhaps there is advertising but it’s not like traditional radio. Certainly not when you take in the aspect that computers and choices (by the listener and the software programming) are in control of the broadcasting and what’s airing and such. Oh, that is still a truth in traditional radio airplay, but disc jockeys and local advertising isn’t as ardent a factor.  No, you’re the disc jockey ultimately and advertising is a different beast online. But I digress, this isn’t about ads.

I’ve been using Pandora casually for a few years. I know its power and influence… So it was a chance I took trying to help prop up the local garage rock/pop band that I’ve been helping out since summer of this year, the Pretty Voices.  As someone who has worked in the distant, distant past for search engine submissions when they were a slower process, I thought the challenge of Pandora was a throwback.  It was also intimidating.

Pandora has standards and a large audience.  They’re not going to just take random submissions / they’re going to have standards that need to be reached and exceeded, applying to both the music and the actual submission form process. My first effort to get the band on the services proved quality mattered. The submission song (Scenius Genius, a rocker with foul language) and submission form came up short in the eyes of Pandora. Disappointing? Sure, but not a total surprise.  It had taken a full week of review on their part and that could have been inspired by internal debate to go along with competition from other potential artists submitting new content to the network, but it still came up short.  Close, though. Much closer than I realized.

It took me a second submission only a few days later, using another song as an example (Crackle Pop) and an elaboration on the form regarding the band itself and details on the song example used in the submission to get the accepted status. Yes, Pandora accepted the Pretty Voices and that was three days after that second submission!  The album, Jangular, by the band went live on Pandora on October 4th and you can find it here. Quite the accomplishment for the group and a feat for the submitter!

This process seems a hell of a lot more complex-yet-involved than the one utilized by Jango and its formal audio administration area, Radio Airplay.

Simple enough, Radio Airplay lets musicians upload music to the network, but you have to have a paying membership; a monthly fee. While that comes off like an immediate downside the fact that it airs audio to international locations (Canada, Europe, the Russian Federation, Asia, etc) makes up for it. Limits on exposure do exist though; if you’re not paying the top level monthly fees, you only have so many credits per month to expose listeners to your music, and top ranked songs earn more credits from the network. This is another flaw of the system, but not such a big flaw as its weekly “top songs” list.

In concept, it’s a simple standard that’s known in the music industry: The song that was most well liked in major musical genres such as rock, metal, alternative, country, pop, dance, rhythm and blues (R&B), etc. All the songs get ranked by the listeners on Jango and it reflects music popularity… You can’t go wrong with having a top-ranked song list, can you?

In this case, yes…. Yes you can.

I’m not sure if it’s just the change of the music world or what, but I’m pretty sure there’s something going on when an instrumental, mid-tempo song is ranked top “Rock” song for a week, especially when it lacks guitar music.  Case in point: Week 39 on Radio Airplay had an instrumental named Martha’s Vinyard as the top ranked “Rock” song.

You cannot tell me that’s rock. And my venting here isn’t just over the fact this is a mislabeled genre but also the fact this guy routinely gets ranked tops for his instrumentals in rock or pop. That and the weekly top list isn’t top songs by genre as-so-much singular songs that are weekly best per genre. Here’s the top list for Week 39 (where Martha’s Vinyard was ranked top Rocker)..

Weekly with these top ranked songs, you’ll find genre defying music as the top ranked numbers from Jango/Radio Airplay. It gets ridiculous. Fan reaction to music is one thing, wrongly categorization is another, but mismanagement from the host company to the point it allows this to go on and on and on tops it all.