I’m running a playlist on Spotify trying to highlight soft rock and easy listening by indie artists that aren’t well known. The UnderexposedSoft Rock and Easy Listening playlist is just shy of 6 hours in length as of this writing and the sound holds consistent with some songs going a little stronger than others. That’s been soft rock radio for decades though, hasn’t it?
That playlist compiles songs from over recent years of the indie and small label variety. I’m announcing a new playlist that will focus squarely on 2019.
TheSofter Side of Indie 2019 will highlight soft rock / soft pop / blues /folk / country and other songs that fit the listing, all released by indie artists. Some may be well-known others may be enigmatic… Whatever, the playlist is open to song submissions for songs published on or after December 15, 2018. Submissions start this early for 2019 simply because it’s unfair to count out songs published this late in the year.
While the intent is to take a variety of songs and offer them to the public for listening – and that’s a catch: actually having people listening to the playlist — one thing I’m not looking for is the “chill” sound with drumbeats and a slowed-down dance jive. I’m looking for the more traditional sound of music. I’m also not looking to add a multitude of foreign languages; if what you have isn’t in English, it’s not appropriate to submit it as a song.
I’m also not looking for songs with explicit lyrics. Think of it as a general-audience appeal I’m going for here, not the 18+ year old adult segments who accept that stuff.
I’m posting the playlist itself below. It’ll remain barren or mostly empty for I-don’t-know.
If you want to submit a track for consideration, please use the contact form. Make sure the subject reads “Softer Side 2019 Submission”. If you’re on Facebook, you may also try contacting me through the Johnny Fonts Facebook page.
When Louis Domingue was claimed by the Tampa Bay Lightning last season, I was taken aback because I recalled seeing the goaltender draw attention to himself by way of performances for the Arizona Coyotes. At the time, I thought he was due to become the eventual replacement for ‘Yotesgoaltender (and former Bolt) Mike Smith while also stepping into a slot of elitism that former Coyote (and Lightning alumnus) Nikolai Khabibulin once held.
What the hell put Domingue on waivers to begin with is a story I didn’t know. It’s a story I’m not getting into here. I’m getting into the now .…
With the injury to Andrei Vasilevskiy, Dommer has become the Bolts starting netminder. I can’t say everything has been perfect for him in net… in fact, I’ve seen a lot of fan criticism toward him. Comparisons to Marc Denis(who served in net during Lightning 2006-07 and 2007-2008; 54 games total, a tenure-average GAA of 3.62 and a .871 save percentage). That criticism was born in October, well before Vasy’sinjury, with Domingue’s return start and flop against the Coyotes.
Late this summer, before the NFL season was underway, the Tampa Bay Times did the Tampa Bay-media thing and played up the Tampa Bay Buccaneers season ahead. “Most talented offense ever?” discussion before a regular season game had been played seemed like… well, an attempt to raise expectations.
I’m not here to judge the Buccaneer season as it nears a conclusion, I’m here to ask about the Tampa Bay Lightning.
See, with that hype about the Bucs, there hasn’t been the same headline-priority work for the Bolts in the Tampa Bay media, at least not from what I’ve seen. All while the Bolts are doing what counters Tampa Bay college and pro sports teams most of the time: Winning and winning. And winning.
Are you into the independent music scene or do you have curiosity into what’s currently going on in that music realm? Perhaps you’d like to discover a new flavor of rock/alternative/pop music? I’d like to recommend a radio stream for such.
I’ve been listening to Lonely Oak Radio for about two years since promoting the Pretty Voices on the station. In that time there are a multitude of songs that I’ve taken an interest to and even more that I’ve posted on my Underexposed Soft Rock and Easy Listening playlist (Note: Don’t take that as a sign everything Lonely Oak plays is on the softer-sound side because it’s not, its only a fraction of the sound cache the station produces). Not many of the acts on the station are widely known, that’s the life of the indie artist – the chase for exposure
This link will take you directly to the radio stream of the site. No, it’s not a bare-bones audio stream tool but shows the song currently playing as well as the artist and the next artist. There are links to AmazonMP3.com so you can get the song playing if you’re interested in as much. It’s just really integral to have knowledge of what’s playing (without a DJ yammering at length before and after the song plays). It’s also integral to actually hear music without having to deal with advertising (or pay a monthly fee for ad-free radio).
Just a heads up for musical artists who are looking to promote their tunes on Spotify as well as for people running niche playlists who want to promote that list, there’s a place for that.
The Spotify Community is a message forum area devoted to the Spotify platform, covering a lot of areas of the field including playlists. The Playlist Exchange is the specific forum in the community where playlists are promoted and curators look for new songs to add to their lists. Many music genres get covered, but so do many niche areas such as topics, moods, musical arrangements and what have you.
Mind you, the Exchange may be an avenue for promotion but it doesn’t guarantee songs getting added to playlists or people actually following a playlist you post. I’ve submitted music by little known groups to playlists (songs by artists I am not associated with, I’m just a fan of) and got passed over while I’ve also posted my Underexposed Soft Rock and Easy Listening list with little gain.
Marketing is a chore. The Playlist Exchange is simply a potential contributor to goal achievement.
A season in professional sports is played with the intention of winning a championship. That’s basic sport, ain’t it? You play a regular season with the hope of making it to the proverbial second-season: The playoffs. To make it to the post-season, to contend during the marathon of the regular season, is an accomplishment unto itself, and to go further is the dream.
In the NFL with its short 16 game season, only 12 of the league’s 32 teams make it to the playoffs. In Major League Baseball, after the grueling 162 game season, only eight of the league’s 30 teams make it to the second-season. The NBA and NHL are both 82-game regular season leagues, they’re also passing 16 teams to the playoffs each season. The key difference is the NHL has 31 teams (and soon to be 32) while the NBA has 30.
The NFL and MLB formats make the playoffs a divine achievement by itself. The NBA and NHL have an open format to contention… And there’s talk in the NHL about expanding the contender option.
The world has changed quite a bit in 50 years but a song has regained immense relevance. It’s a song that societies around the world and pop culture has found relevance time and time again during its existence. Sometimes it’s just figuratively relevant while other times it’s very much directly relevant.
That’s what makes Revolution by The Beatles extremely relevant at the moment.
For the record (and those who don’t know history), “Chairman Mao” is a reference to Mao Zedong, former Chinese emperor.
With the 2018 election having set in just days ago, the requests for a contribution has been common (a norm in US politics). All-too-common for this election cycle was ”minds that hate” looking for cash.
There’s a healthy form of politics and then there’s what is occurring in America at the moment. Political ideologies always contrast, but it’s when society works in cohesion that America can thrive. Society thriving isn’t the driving factor of “Make America Great Again” and those using death and destruction to show support toward it are proving it.
Both sides of the political fray should take some comfort in the chorus of “Revolution” though it seems distant at the moment. You don’t need to go extreme, life works its way out:
Music Tampa Bay‘s annual Top 100 lists (which ran from 2008 through 2017) featured a wide swath of music — we’re talking genres and time-of-publication. Some of the songs were relatively new releases, some were much older. All of them were from artists derived from the Tampa Bay and west central Florida area. I use that as a lead-in to the 2017 Music Tampa Bay Top 100 playlist on Spotify because only 54 of the 100 songs were on Spotify (or at least that’s the amount I found).
While some of the songs are very much available online, others aren’t and some are on select sales and streaming avenues and not on Spotify. Another issue I’ll cite here is that the Top 100 list for 2017 was hindered with thanks to Hurricane Irma’s effects on the Tampa Bay area. While that has nothing to do with only 54 songs on this list, it does explain why some of the songs on this list were also part of the 2016 Top 100 list (…a playlist with only 57 of 100 songs).
I very much intend to add the 2008 Top 100 listing to the Spotify playlists, but if these more recent lists are getting just over half the list songs, I don’t expect 2008 to do better. We’ll see about that.