I’m running a playlist on Spotify trying to highlight soft rock and easy listening by indie artists that aren’t well known. The UnderexposedSoft Rock and Easy Listening playlist is just shy of 6 hours in length as of this writing and the sound holds consistent with some songs going a little stronger than others. That’s been soft rock radio for decades though, hasn’t it?
That playlist compiles songs from over recent years of the indie and small label variety. I’m announcing a new playlist that will focus squarely on 2019.
TheSofter Side of Indie 2019 will highlight soft rock / soft pop / blues /folk / country and other songs that fit the listing, all released by indie artists. Some may be well-known others may be enigmatic… Whatever, the playlist is open to song submissions for songs published on or after December 15, 2018. Submissions start this early for 2019 simply because it’s unfair to count out songs published this late in the year.
While the intent is to take a variety of songs and offer them to the public for listening – and that’s a catch: actually having people listening to the playlist — one thing I’m not looking for is the “chill” sound with drumbeats and a slowed-down dance jive. I’m looking for the more traditional sound of music. I’m also not looking to add a multitude of foreign languages; if what you have isn’t in English, it’s not appropriate to submit it as a song.
I’m also not looking for songs with explicit lyrics. Think of it as a general-audience appeal I’m going for here, not the 18+ year old adult segments who accept that stuff.
I’m posting the playlist itself below. It’ll remain barren or mostly empty for I-don’t-know.
If you want to submit a track for consideration, please use the contact form. Make sure the subject reads “Softer Side 2019 Submission”. If you’re on Facebook, you may also try contacting me through the Johnny Fonts Facebook page.
Are you into the independent music scene or do you have curiosity into what’s currently going on in that music realm? Perhaps you’d like to discover a new flavor of rock/alternative/pop music? I’d like to recommend a radio stream for such.
I’ve been listening to Lonely Oak Radio for about two years since promoting the Pretty Voices on the station. In that time there are a multitude of songs that I’ve taken an interest to and even more that I’ve posted on my Underexposed Soft Rock and Easy Listening playlist (Note: Don’t take that as a sign everything Lonely Oak plays is on the softer-sound side because it’s not, its only a fraction of the sound cache the station produces). Not many of the acts on the station are widely known, that’s the life of the indie artist – the chase for exposure
This link will take you directly to the radio stream of the site. No, it’s not a bare-bones audio stream tool but shows the song currently playing as well as the artist and the next artist. There are links to AmazonMP3.com so you can get the song playing if you’re interested in as much. It’s just really integral to have knowledge of what’s playing (without a DJ yammering at length before and after the song plays). It’s also integral to actually hear music without having to deal with advertising (or pay a monthly fee for ad-free radio).
Just a heads up for musical artists who are looking to promote their tunes on Spotify as well as for people running niche playlists who want to promote that list, there’s a place for that.
The Spotify Community is a message forum area devoted to the Spotify platform, covering a lot of areas of the field including playlists. The Playlist Exchange is the specific forum in the community where playlists are promoted and curators look for new songs to add to their lists. Many music genres get covered, but so do many niche areas such as topics, moods, musical arrangements and what have you.
Mind you, the Exchange may be an avenue for promotion but it doesn’t guarantee songs getting added to playlists or people actually following a playlist you post. I’ve submitted music by little known groups to playlists (songs by artists I am not associated with, I’m just a fan of) and got passed over while I’ve also posted my Underexposed Soft Rock and Easy Listening list with little gain.
Marketing is a chore. The Playlist Exchange is simply a potential contributor to goal achievement.
The world has changed quite a bit in 50 years but a song has regained immense relevance. It’s a song that societies around the world and pop culture has found relevance time and time again during its existence. Sometimes it’s just figuratively relevant while other times it’s very much directly relevant.
That’s what makes Revolution by The Beatles extremely relevant at the moment.
For the record (and those who don’t know history), “Chairman Mao” is a reference to Mao Zedong, former Chinese emperor.
With the 2018 election having set in just days ago, the requests for a contribution has been common (a norm in US politics). All-too-common for this election cycle was ”minds that hate” looking for cash.
There’s a healthy form of politics and then there’s what is occurring in America at the moment. Political ideologies always contrast, but it’s when society works in cohesion that America can thrive. Society thriving isn’t the driving factor of “Make America Great Again” and those using death and destruction to show support toward it are proving it.
Both sides of the political fray should take some comfort in the chorus of “Revolution” though it seems distant at the moment. You don’t need to go extreme, life works its way out:
Music Tampa Bay‘s annual Top 100 lists (which ran from 2008 through 2017) featured a wide swath of music — we’re talking genres and time-of-publication. Some of the songs were relatively new releases, some were much older. All of them were from artists derived from the Tampa Bay and west central Florida area. I use that as a lead-in to the 2017 Music Tampa Bay Top 100 playlist on Spotify because only 54 of the 100 songs were on Spotify (or at least that’s the amount I found).
While some of the songs are very much available online, others aren’t and some are on select sales and streaming avenues and not on Spotify. Another issue I’ll cite here is that the Top 100 list for 2017 was hindered with thanks to Hurricane Irma’s effects on the Tampa Bay area. While that has nothing to do with only 54 songs on this list, it does explain why some of the songs on this list were also part of the 2016 Top 100 list (…a playlist with only 57 of 100 songs).
I very much intend to add the 2008 Top 100 listing to the Spotify playlists, but if these more recent lists are getting just over half the list songs, I don’t expect 2008 to do better. We’ll see about that.
I’m taking things a step further though I don’t know if this will lead more people to check out this music or what. I’ve created a Spotify playlist of the 2016 Music Tampa Bay Top 100 list.
In trying to aid the exposure of the artists and their music, I don’t know if it did the job so much. Let’s see if a Spotify playlist can help things along.
From my experience researching three different Top 100 lists, I’ve learned it’s a tradition for not all the songs to be available through online streaming. In this case, only 57 of the Top 100 songs from the listing were available… They represent a mix of music genres: Rock, Reggae, R&B, Folk, Pop and Country. The performers herald from the Tampa Bay and west central Florida area and while their sound may be taken as unique, they are all very much of the genres they are derived from in music.
When I started blogging about hockey, the posts were published on Boltsmag.com. Upon me founding Raw Charge, I pointed the domain name at the new SB Nation site. All my archives are posted over there, after all. It’s been set up like that since 2009.
With the two-year anniversary of my resignation from the network and with me posting re-direct links to Raw Charge archived articles I wrote there, I’ve decided to redirect the Boltsmag domain name toward my hockey post category here on JohnnyFonts.com.
I don’t know if anyone even knows of the domain name, let alone uses it. If you do use that domain, this post should explain why you’ve landed on this blog site and not on Raw Charge.
Right now, a modern retelling of a 1960’s television show is on my mind and yet modern retelling limits it unless it’s done right and framed properly. That, in itself, is a tough task.
Before I move to that and the show on my mind, let me touch on a show that was going to have a “modern” retelling 20 years after its airing in the 1960’s: Batman. Warner Brothers wanted to do a cinematic version of the caped-crusader show from the 60’s and from one of the original casting plans tells you everything about original intent on the movie: Bill Murray as Bruce Wayne/Batman. That should not be taken as “could you imagine how dark Tim Burton’s film would have been if…?” as so much “Bill Murray vs. Adam West, who wins in a Batusi dance-off?” The film that Burton made (and set the stage for modern comic book movies) was intended by the company to go campy-comedic a-la the original series on screen.
There’s another show that was exposed to the masses over the decades by way of original airings on network television and syndication in later decades after the original series ended. It’s had television-movie continuations of the series and parodies in other television shows over the decades. It was campy, it was comedic, and it was the tale of chance.
Gilligan’s Island is only known for ha-ha-ha. An idiotic-but-lucky first mate, his father-like/older brother-like Skipper, and the five passengers who were fellow castaways when the S.S. Minnow wrecked on an uncharted desert island. Continue reading →
One day after my little piece on that shitty thing called Gritty, I got a PR email regarding the mascot that seems to have a different take on how the public reacted toward Gritty than what really went on. Continue reading →
Poetry and I are not strangers, the evidence is here on the site in the “Creative Writing” section and elsewhere if you look around. I’ve been penning prose of one variety or another since the 1990’s.
Yeah, I’m old. Deal with it.
There are some that have inspired musicians to actually put the words to music. That’s a longer story than I can tell at this time (wink wink, nudge nudge) but my point is that songwriting is something I’m dabbling in. It has created a plight, though.
See, early in the summer I had a friend send me a guitar riff he recorded. He was looking to build a song around it. Now, this idea was garage-rock in caliber. Do-the-job, verse-chorus-verse simple and straight. The riff is the base and the center for the song in melody and what has to be done is to give it some words to finish the product. The problem there was… well, maybe I’ve been exposed to too much Alternative over the years or maybe I’ve seen too many rock songs that have been larger tellings than Keep It Simple Stupid? Then again, maybe I’m a poet and lucky if my words ever go to a finished song… Continue reading →