A garage band named “The Pretty Voices” seems a little odd, but that’s the gist I think: to be a little off. The group isn’t aimed at a profound/powerful vocal arrangement; they’re about doing the rock thing in the garage-band kind of way: Independent, holding amateur flaws but also showing an ability that warrants exposure in one fashion or another.
It was completely by chance and a “well why not?” attitude on my part that got me to check out their album, Jangular, which was released in May of this year. The entire album is available online for purchase but it’s also able to be accessed through YouTube.
Now, I’m not a garage band listener on the norm… Heck, I rarely listen to anything of current (which holds to this story in a way, we’ll get to that in a second). I really did just listen to Pretty Voices by chance (the direct influence being Creative Loafing Tampa’s tweeting about their review of Jangular). I was drawn into the group from what I was hearing simply because the band could hit an influential riff in their pieces, such as in Control. It’s simple enough, though it also has its flaws (late in the song, it just ends up sounding messy).
El Camino, in beat and pacing, is pop rock in how it comes off. I can’t make out the lyrics but that’s my flaw with hearing disability and it – missing out on lyrics – is a running truth for most of Janular songs. That’s not a flaw for them, not as much as when engineering / production can’t diversify the sound produced for bridges in Pretty Voices songs.
The track that stands out for me to the point that I bought it was “Crackle Pop” which I embed here:
The oddity of the number is that it was released as a single three years ago by the group. The entire concoction of Jangular was put together and amassed over five years. Back to “Crackle Pop”, it’s a brilliant mix of the riff and pacing to truly come off as a crackling pop-rock number. The take from years ago seems a little less refined than the album version of the song.
In the end, Jangular and Pretty Voices are worth checking into in one way or another – be it an online listen on YouTube, buying a track from an online store, or checking the group out in-performance at a show in St. Petersburg.
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