Late this spring, curiosity and recollection started pushing in my head toward music and what was going on in the political and social spheres. This isn’t the 1960’s but with how much upheaval has been playing out regularly – race attacks, propaganda, lies and distortions, pitting business and profit over the welfare of the country, and the protests tied to them all – I was left wondering what those in the music industry were doing about it?
I mean, really, with how much was produced that was just tinged with the social stuff from the ‘60’s, you’d expect 2017 to be filled with songs inspired in some way or another by what was going on – some offering calm, others decrying certain aspects.
In June I put down my own song lyrics of protest. My intention at the start wasn’t to directly protest as so much make a social decree or write something based off of what was ongoing… but it turned into a generalized summary of the status-quo of 2017.
What really leaves me in awe is how things have played out to make the words more relevant. This was penned before Charlottesville and other strife of the summer.
A key line in the chorus is still a truth here in mid autumn 2017: We must defy the great divide. We stand strongest as a society and as a country of the world when we stand together. When all sides come back to this truth, that will be when the course will plot in the right direction.
Even if they aren’t into country music, my friends have been impressed. I’ve already unveiled it but here it is, all over again! A nineteen-year old poem converted into a would-be pop/country song! Slowly, Her Name Fades Away:
How does a deaf composer get the attention of the music industry? Think about that for a minute, would you? It happens to be a serious question asked by a man who is currently sitting in an unsound situation.
I’m not Ludwig van Beethoven – far from it – but I can say that my toe is in the proverbial water of the music industry at the moment. Okay, actually it’s actually my entire foot up to my ankle or lower shin (that comes by way of me having spent time trying to promote the Pretty Voices over the past year). It goes by way of words and actions, not so much plucking piano keys and writing orchestral symphonies.
See, I wrote a poem back in the fall of 1998 (a long long time ago in a galaxy not-so-far away) that I’ve clung to over the years. It’s a poem I had intended for inclusion in a self-published poetry book… It’s also something I thought could be done in a musical arrangement to make it into a song.
So, when I got frustrated and vastly slowed this past spring, and while I still had thoughts tying said-poem into a musical arrangement, I made an inquiry with the Nashville Song Service if the lyrical-verse really could be done as a song. Indeed, it got the green light. Continue reading →
I’ve been going through older poems that don’t appear on the site, I’ve been going through a collection of my works over the decades . Things I wrote as poetry sure sound like songs (or at least look like them, and I can imagine melody to go along with them). I’m no musician though, no composer, or I’d try to put together a full song and get things on the market (not me as a performer, me as a composer).
I will admit right now that I do have a poetry/lyrical verse manuscript and am hoping to have a self-published book out in 2017. That’s still in the process of being honed out though. There are aspects I haven’t even explored yet with that, and those I have asked to review my work (as editor types) have yet to get back to me with any input.
All of that said, here’s an example of that lyrical-verse/poetry that I had a habit of doing in the past. It’s something that is not going to be included in the book as it stands, but that could change. I’d appreciate feedback on this too. It has been on the web before, when my personal home page was on Tripod ages and ages ago. Different title then.:
In the late 1990’s I was a poet and lyricist first and foremost. You can find some of the poetry I wrote and have written over the years on the site (click the writing tab above and move down to the poetry selection). That’s not the point though. One poem I wrote, just a lyrical mash-up inspired a bit by Green Day, was “Picture Perfect Love Affair”, a crazy guy in love with a girl in a photo. In fact, that story sort of mocks me at the time, as girls from High School still mattered, and I only had their photos to look at.
Years later, I forget when exactly, I had a little edit of the poem. “Edit” being the addition of a chorus to use between stanzas:
It’s a picture
Picture perfect Picture perfect love affair
It’s a real simple build up and filler but it does the job that is expetec of it – it moves you forward and transitions you.
The summer of 2016 had me meet (online and off) Nick from the Pretty Voices. At one point or another I ran lyrical verse past him in a conversation and lo and behold, Nick delivered a demo of my work.
As it stands right now, I don’t think the Pretty Voices are going to record this thing, but it IS nice to have something I wrote put to music.
I’m only posting this on Stonegauge the site because I’ve discovered I placed a bit of my writing here that I don’t have hard copies of on my own computer. This poem was inspired by a photo taken from bed. I’d post the picture but I never know if the site is going public again or not, and the picture is private — not that kind of private! Get your mind out of the gutter!
I decided to take a shot with some of my written works, stuff that has never been published beore (sans on this web site) and actually submit them to a literary review. It’s been about a month since I made those submissions. It oculd be another two before I hear back from said literary review.