Earlier this year, I posted a list of the Top 100 songs from Music Tampa Bay for 2016: Converting the image list to text and linking to various locales where you could actually listen to the songs (side note: I’ll still take link and genre submissions for some of the unlinked artists/songs, thanks).
Well, the Top 100 list for each year on Music Tampa Bay is built around a weekly running Top 40 list that Music Tampa Bay has going on. I’m not sure how it has functioned long-term but as of now you can vote once per day on a song that’s been placed on the Top 40 list. Voting ends at 6 PM ET on Sunday nights and the results make up the Top 40 list for the week ahead. How a performer or band get on the list to begin with is Music Tampa Bay’s choice while the songs listed aren’t all recent releases by Tampa Bay musical artists.
Now, exposure to the song is subjective to those who cross the Top 40 list. You either have to be a Music Tampa Bay listener (online streaming or over the airwaves in St. Pete, Florida at 96.7 FM), or have crossed the music by other means (like deliberately hunting down a listed song online, as I’ve done in the past).
Well, this article is a little twist on things. Below you will find the Top 40 list from Music Tampa Bay (released on Monday, June 26th) with embedded versions of the songs from the list. Not all songs are embedded. Omission like that is not a deliberate act as-so-much an inability to locate the song online. Some songs do appear on the web in sales locations or on streaming locations like Spotify. For the sake of accessibility, those instances aren’t linked. In other cases where a song can be accessed by anyone but the tune isn’t embeddable, things will be simply hyperlinked.
Many of these songs have been and will remain listed on the Music Tampa Bay Top 40 for some time to come, so if you like one of these tracks a lot then you should support it: Go to Music Tampa Bay and view the Top 40 list and cast a vote in favor of it (button next to the song on the Top 40 list). Continue reading →
Let me start with a link to an old article on Raw Charge by one Mister John J. Fonts Esq. (me, it’s a pseudonym ): Suffering Mike Milnury and the NHL on NBC. It’s an issue that doesn’t get highlighted enough during hte regular season. That, or a base group of fans complain on and off about Milbury, but things stay the same; there are issues with the style of Mike Milbury (whom had his own issues during his NHL career) and yet he continues on with television coverage on US Network TV (ESPN and then Outdoor Life Network / Versus / NBC Sports Net
The last few days have put a special spotlight on NBC Sports broadcasts as the NHL was at its climax – the Stanley Cup Finals of 2017. Leave it to Mike Milbury to line-cross and give his personal dislike of a player just enough attention in coverage to sully things and make the way for the spotlight to be his in the worst way possible. Continue reading →
I like Reddit. I’ve already posted here about Reddit and promoting content on Reddit. I also know Reddit doesn’t work for everyone, especially at the community-level where commentary can get volatile and discussion stunted by way of sarcasm and reactionary responses.
I want to speak of ill I’ve encountered, but not a malicious incident. No, no, it’s posting restrictions that thwart participation. Subreddit’s having rules are a necessity or everything goes chaotic (or spam-laden), so I’m not trying to frown on rules here. It’s when they go too far and are over-reactive in an effort to… what, exactly? Continue reading →
If you’re a musician in the Tampa Bay area – a recording artists with your own records to show for it – you may want to take a look at WURK Radio’s web site and their submission process. WURK went on the air in May 2017 in the Tampa area and is a community, volunteer driven radio station. I don’t know how far and wide it is listened to in its fledgling status, but it remains important to spread your name and your talents locally and WURK is one of those opportunities.
Oh,they’re also on Twitter and Facebook (though the Facebook entry is a private profile).
The downside of submissions is that they require hard copies — Compact Discs, not digital submissions. If you’re willing to go that route and explore other positives for you and your act by way of WURK, click thru and have a read.
“It was 50 years ago today, Sgt. Pepper taught the band to play.”
Uh, excuse me? Excuse me… Hi… Uh, I need to make a correction for you here (and for anyone else locked in on the 50th anniversary of the album). Let me quote the writing tandem of John Lennon and Paul McCartney here to point out the issue with history:
It was twenty years ago today
Sgt. Pepper taught the band to play
If it was 20 years on June 1, 1967 (the date of release for the album), it’s 70 years in 2017. I realize the intention of the length of time is something to revel in here and the intro attempt by the article author is a rally-point, but add some logic here… Sgt. Pepper (the personality) and his colleagues had been around a while, going “in and out of style” but they remain “guaranteed to raise a smile”.
At any rate, the article touches on the weight of Sgt. Pepper to the Fab Four, it’s worth a click-thru and a read…
Ah, yes, here we are… Memorial Day Weekend 2017. While I could cue Dancing in the Street or Summer in the City or many others from a very broad girth of other pop and rock classics, let me share with you a (mostly) instrumental number by Gypsy Star that you’ve likely never heard before: Summer
You ever encounter something in music that you initially appreciate and hold in high regard but it doesn’t stand? Time passes, you engage yourself in the ditty and it starts showing flaws that start standing out? It’s this realization that both worries you (“Am I a critic now?”) and makes you understand why the song isn’t a broad sensation that passes the test of time?
There’s a number from the 1980’s doing that to me now. In some ways I’m guilt ridden by way of it because the song is highly personal… But it’s not the song itself that gets to me. No, no, The Living Years has its merits. But the flaw is too outright.
Mike and the Mechanics 1988 song didn’t just win a Grammy – it was song of the year. The arrangement is fantastic music and the lyrics are highly personal (the relationship between Mike and his father and his father’s passing). There’s nothing I can say against those key elements and they’re not what’s hitting me the wrong way. Yet these weren’t what drew me to the song as a kid; the music complimented it and I wouldn’t engage myself in the lyrics until adulthood when I came back to the song.
What gets me, what wrings me as wrong, what stands with warts? The refrain, the chorus, the element of songs that pulls the masses in. Continue reading →